A Matter of Taste (Concerto for Trumpet and Chamber Orchestra)
(2018)
20 minutes
(2,2,2,2 2 1 perc. pn. strings)
Performance Information
Commissioned by the Cannon Valley Regional Orchestra for Manny Laureano
World Premiere: Northfield, MN. Manny Laureano (Principal Trumpet, Minnesota Orchestra) and the Cannon Valley Regional Orchestra. Paul Niemisto, conductor. May 2018.
Photo by Estúdio Bloom on Unsplash
About
As an avid cook, I have always been fascinated by the parallels between the kitchen and the score. Both require a meticulous balance of raw elements to create a transformative sensory experience. In this concerto, I trade the chef’s knife for the trumpet, attempting to translate the five basic human tastes into a musical language that is as visceral as it is evocative.
I. Salty
Salt is the fundamental enhancer; it sharpens focus and defines edges. This movement begins tentatively, with the orchestra "seasoning" the air before a mournful trumpet melody emerges. This lyricism eventually gives way to a more physical, aggressive section—music that feels like the labor of pushing boulders. Here, the "salt" is not just a flavor, but the brine of sweat and the grit of the earth.
II. Bitter
Unlike other tastes that vanish quickly, bitterness clings. To imitate this lingering sensation, the movement opens with a series of dark, dense chords that refuse to resolve, hanging in the air like a shadow. Over this "sad lingering memory," the trumpet unfurls a long, lyrical melody. It is a study in persistence, exploring the sophisticated beauty found in flavors—and emotions—that are difficult to swallow.
III. Sour
Sour is an electric shock to the system. This movement is punchy, high-contrast, and unapologetically aggressive. After a jagged orchestral introduction, the trumpet hammers out a swinging, syncopated melody. The ensemble responds with sharp "punches" of sound, mimicking the involuntary wince and sudden burst of adrenaline that comes with a hit of pure acidity.
IV. Umami
Umami is the "fifth taste"—elusive, savory, and notoriously difficult to define. To capture this ephemeral quality, the movement unfolds placidly, built around a series of descending scales that change in character depending on the shifting harmonies beneath them. The trumpet searches for a definitive theme, making several "attempts" at a melody that only gradually come into focus. This mirrors the sensory experience of Umami: a flavor that doesn't hit the palate all at once, but rather deepens and reveals itself over time.
V. Sweet
A decadent finale that serves as the perfect dessert to this five-course sensory meal. The movement begins with the sumptuous, "sugar-coated" chords of an old-school Bossa Nova, providing a lush and sophisticated opening. The journey then pivots to the Caribbean, transforming into a soulful Salsa-inspired ballad. For the grand conclusion, we return to my home country of Venezuela with a lively, rhythmically driving coda. It is a joyful, high-energy celebration that leaves the listener with the lingering sweetness of a journey well-traveled.