Bologniniana is an homage to Ennio Bolognini (1893–1979), a larger-than-life Argentine-American cellist, professional boxer, and stunt pilot. Despite being largely forgotten today, he was revered by his peers; Pablo Casals called him the "greatest cello talent" he had ever heard, and Gregor Piatigorsky famously named Bolognini the greatest cellist in the world. This suite translates his iconoclastic personality and technical innovations into a series of vivid character studies.

1. Firpo vs. Dempsey. 

In 1923, Bolognini moved to the U.S. to serve as a sparring partner for heavyweight Luis Firpo. This movement captures the violent kinetic energy of the "Fight of the Century," using rapid-fire left-hand pizzicato to mimic the landing of punches and the high-stakes atmosphere of the boxing ring.

2. "The Perfect Vibrato." 

Inspired by Bolognini’s obsession with bel canto precision and his scientific approach to bowing, this movement is a slow, meditative melody. It presents a formidable technical challenge: the soloist must sustain a lyrical, singing line while simultaneously providing their own accompaniment—a feat of "perfect" control and tonal beauty.

3. The Gambler. 

Bolognini’s suave but reckless personality led him into frequent trouble with the mafia over gambling debts. This movement is performed pizzicato-only, utilizing a jazzy, walking-bass feel. The cello is also used as a percussion instrument, with the player striking the body of the instrument to imitate a makeshift drum kit, capturing the gritty, nocturnal energy of a casino floor.

4. "El Canto del Gaucho Solitario." 

While not a guitarist himself, Bolognini was a passionate devotee of Spanish Flamenco music. This movement captures that obsession, requiring the cellist to sing while they play. The vocal line weaves through the string texture, evoking the lonely, soulful song of the Argentine pampas.

5. Flight Over Ravinia. 

After being fired during a rehearsal at the Ravinia Festival, Bolognini retaliated by flying his plane so low over the concert that the performance was completely drowned out. This finale is a virtuosic display of "runs and tricks," a wild and aerodynamic movement that brings the suite to an exhilarating, law-breaking conclusion.